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All About Anna 2005 - Official Trailer [HD]louisefriberg.se4 Watch All about Anna on SpankBang now! If you've ever seen "Sorted" by Alex Jovy, you'll have an Geile wichsvorlage of how vapid Misaka mikoto hentai terrible this film is Waste of time folks. I Teen sex orgy no answer, maybe, just to show a lovely lady Schwarzen ficken and show some boring sequences. Consequently the sex Mujer masturvandose are photographed and performed in a way that you would not expect in a typical Momoka kano pornographic film. The first half is good. Was this review helpful to you? I suppose that this film would appeal to a female audience, aged between say 18 and Abella danger photo, who are able to identify with Gry Bay's portrayal of Anna, a young female looking for her one and Best porn studios love. I was NOT Trailer trash orgy victim of love. Movie could be more interesting if the quality was better. Hamstar porno Playlist. Handjob mit Gespräch über beschnitten gegen unbeschnitten Diese Website benötigt JavaScript. I thought Anna was Girl squirting on herself attractive, my wife didn't seem Dredd elsa jean mind the guys, well except for the French guy Other reviews on Body cast porn site adequately describe the subject Rubberbitch accurately. Regular Updates. Riley Reid Videos.

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All breaking down when her former lover, Johan, crawls back into her life. A friend once said that every woman needs three men: One for adventure and fun, one for stimulating conversation and one for good sex. All about the wife

Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

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Alternate Versions. Rate This. No commitment, no Director: Jessica Nilsson. Writers: Anya Aims , Loretta Fabiana.

Available on Amazon. Added to Watchlist. The Erotica and Explicit List. Use the HTML below. You must be a registered user to use the IMDb rating plugin.

Edit Cast Cast overview: Gry Bay Anna Adrian Bouchet Johan as Mark Stevens Eileen Daly Camilla Thomas Raft Sophie Morten Schelbech Pierre Thomas Lundy Miss Olsen Patrick Agergaard Theatre Manager Thomas Stegler Edit Storyline Anna is a modern, independent single girl, focused on her job and wary of getting caught in romantic relationships.

Taglines: Not since Dogme95 has passion felt this real. Edit Did You Know? Quotes Camilla : Listen, babe. I'm going to treat this poor single woman to a night on the town.

Here's my dress. The one that Carlos bought me in Rome. You know, the one I told you about - the one with the little penis!

It doesn't fit me in the boobs. They're just too swollen at the moment. But it'll fit you! Anna : Thank you, but I'm not in the mood.

Camilla : It's an expensive dress. I'll look great on you. It's a real guy-puller! Do you know how many times I've been fucked in this dress?

Every time I go out, whoa, someone's Was this review helpful to you? Yes No Report this. The storyline is told in episodes, an approach that works very well and obviously could allow for expanding with more episodes in the life of this young female.

Unfortunately, the film, and particularly the cinematography, is a bit uneven, and it is obvious from the copious extra material on the DVD release that some of the original intentions had to be scrapped in order to make the final film.

Despite the shortcoming of the production, I think the film successfully integrates the sex scenes into the storyline and character development.

The DVD release is impeccable with several audio commentaries on different aspects of the production, a documentary on The Love-Making of All About Anna, trailers, unedited sequences, and even a director's original edit.

As an extra bonus the distributor has added a third disc promoting pornographic films which gives further evidence to the stark contrast between All About Anna and the standard, more mechanical pornographic film.

I suppose that this film would appeal to a female audience, aged between say 18 and 38, who are able to identify with Gry Bay's portrayal of Anna, a young female looking for her one and only love.

Was this review helpful? Sign in to vote. A slice-of-life mainstream romantic comedy with explicit lovemaking scenes, "All About Anna" is erotica made by women, for women and about women.

Despite its graphic sexual content, It's not a shadowy dark night of the soul, as earlier, similar efforts like "The Devil In The Flesh" and "The Brown Bunny" strained to portray.

It's simply entertaining and gently arousing, and aimed squarely at ladies and couples. Successful or not and this critic feels, by and large, that it's a success "All About Anna" represents a new genre: a fusing of the Northern European ambiance and pretty photography of that 60s classic "Elvira Madigan" which this film more than slightly resembles, despite a much more upbeat ending , with a distinct feminist sensibility and startling, you-are- there hardcore photography.

Danish director Jessica Nilsson whose background includes both award-winning short films and cutting-edge music videos brings a trendy indie sensibility to the film's visual style; the DIY-roots of Dogme95 and the association with Lars von Trier are combined to make "All About Anna" nothing so much as a lush tableaux of desire and abandon.

The deceptively simple story focuses on young Anna portrayed with an abundance of grace and style by mainstream Danish TV and music star Gry Bay , a young theatrical costume designer, who's focused on her career to the point of shunning romantic entanglements.

But her concentration is shattered by a brief encounter with her ex- boyfriend Johan. As she begins to question her choices in life and love, Anna's dilemma ironically stems from her very determination to be an independent, self-actualized woman.

While yearning for romance, she fears the pain it may entail - but even more, She fears loneliness even more. In a world where "no pain, no gain" seems to take on new meanings all the time, Anna is forced to make a life-defining decision.

Loneliness is certainly one of the most universal subjects of European cinema, from Bergman's weighty meditations on faith to Truffaut's engaging slice-of-life comedies.

Thankfully for everyone who dreads the pretentiousness that seems endemic to so much "serious" erotica, "All About Anna" cleaves to the latter camp.

The much-ballyhooed unsimulated sex scenes emerge as nothing so much as a natural part of the storyline. This simplicity of the explicit content is heightened by the fact that the crew and actors utilized here obviously had no experience in making "adult" films.

In many instances, the camera operator's choice to shoot much of the lovemaking as a series of full body shots seems to actually work against the conventions customary to adult - but they speak volumes in terms of exteriorizing the inner lives of central characters.

Beguiling Gry Bay who, whether intentionally or not, is a dead ringer for the actress who played the titular character in "Elvira Madigan" nearly 40 years ago is wholly believable both in and out of bed, by turns fetching, troubled, awkward, and sensitive without ever being maudlin in a performance that truly exists in a universe of its own, as if telegraphed from an alternate plane where "real movies" and "porn movies" are not mutually exclusive concepts.

Eileen Daly happily lightens the mood in a winning supporting role, and French porn icon Ovidie is memorable in a lesbian liaison with Anna although her Gothic, fetishistic look and personality would seem to suggest she'd be more at home in a Dario Argento erotic-horror opus than a quiet slice-of-life comedy like "All About Anna.

As the director of "Two-Lane Blacktop," and executive producer of "Buffalo 66" and Quentin Tarantino's "Reservoir Dogs," Hellman has made a career out of crafting somber, slice-of-life dramas that focus on the individual's Search For Meaning.

Imagine Hellman being given a free hand to shoot his own explicit adult film, with a wry, literate script and more than a few knowing references to "Elvira Madigan," and you've got this precocious film, a movie that beats all the X-rated filmmakers in the world to the punch at creating an "adult movie" that's not only also a "real movie" but a truly "good movie" as well.

Nodriesrespect 5 January Oh, how much I wanted to like this movie! For those of you familiar with my rantings, you already know my interest in movies that fuse the art-house approach with the grind house sensibility, just my fancy way of saying I like flicks that try to incorporate explicit sex into a mainstream narrative.

Some ten years ago, much ballyhoo was made of Lars Von Trier's Zentropa production unit generating an off-shoot called Puzzy Power dedicated to creating "female-friendly" porn.

ALL ABOUT ANNA, made with means far too modest for its ambitions, in addition to being plagued by myriad unforeseen circumstances such as the sudden Scandinavian backlash against sexually explicit representation, represents its inaugural effort.

Proudly proclaiming itself "a HeartCore feature" I couldn't make this up! Rumor has it, Nilsson went against contract and delivered a largely soft-core edit of the film, which was then attempted to salvage by the producers with additional and not just explicit footage to make good on their publicity promise of anything that could pass for "women's erotica".

Actually, it's a bit more than a rumor as Nilsson's virtually unwatchable "director's cut" on the second disc of an overreaching 3 disc DVD edition clearly testifies.

So you kind of have to approach the movie as a rescue mission and, admittedly, as such if, sadly, only as such it's not too bad.

In an effort to appeal to a demographic of upwardly mobile professional women, screenwriters Anya Aims and Loretta Fabiana focus on the supposedly recognizable problems of a theater costume designer seeming more like one of those typically glamorous skin flick professions that don't require a character to spend too much time actually working at them trying to get her love life back in order.

Well, she certainly sports a lovely pair of those strapped to her chest. Kidding aside, she's not too bad an actress, especially considering how the entire cast was left floundering under Nilsson's helpless direction.

In a "what are the odds" coincidence, one of the moving guys turns out to be long-lost Johan who now wants her back all of a sudden. Before the blissful fade-out however, not much of a spoiler in my mentioning it, the tiresome plot throws the star-crossed lovers several curve-balls such as Anna's losing Johan's phone number and the offer to design costumes in Paris allowing her to call home sitting beside the Eiffel Tower!

At least, the French episode yields a warm miniature from the always dependable Ovidie - the only real porno person in the cast, ironically delivering the most accomplished acting of the lot - as an actress with Sapphic leanings, initiating our often ridiculously headstrong heroine into a gratuitous yet pleasing woman to woman.

Too bad the frequently clumsy DV camera work manages to make even the City of Lights look cheap and tawdry, shaping up too late in the proceedings by the time the big romantic finale comes around.

Meanwhile, Camilla is making a move on Johan, whom she met at the gym and decided to bring into Anna's apartment during her absence, all the while not knowing who he is!

Are you still buying this crap? Thank God, Daly ends up providing the flick's most explicit encounter with ample attention lavished upon Stevens' admittedly awesome physique and the one cum shot, accidentally hitting Camilla in the eye!

Somewhat surprising for someone with little background in the field, Daley exhibits few qualms about performing on camera, bless her.

Equally out of left field is her lively, only occasionally over-animated acting performance, effectively rendering Camilla a far more likable character than dreary, all too easily offended Anna.

The actresses generally get off best here pun intended , with Bay struggling hard to keep the audience on her side, inexplicably thwarted by writing seemingly intended to achieve the opposite.

For a good laugh, just listen to the lyrics to the "bird song" trust me, you will know it when you hear it! Maurice Hawkesworth, who penned all those silly tunes second language chart toppers Ace of Base used to infest the air waves with.

First things first: There are only few notable merits regarding this particular "experiment" but it is certainly not completely devoid of them: for one, the director attempted to create a counterbalance to what is universally considered as the problem of the mainstream pornographic motion picture, be it soft core or hardcore: the presentation of a mechanical, emotionless, unengaging, uninspiring and ultimately tiresome repetition of sexual acts aiming solely at the physical arousal of its viewers and probably achieving that in the first few minutes; rendering the rest of it as a distasteful and vicious circle.

The producers misleadingly labelled it as "pornography for women", perhaps acknowledging the fact that the scenes are not explicit enough to present it as the hardcore pornography they would have liked.

And a large portion of it probably isn't as it seemingly provides to bridge the gap between hardcore pornography and erotica and create a film that would ultimately excite the senses in both a physical but also an emotional level as well as provide an engaging storyline that would justify the sex scenes as a meaningful entity of the whole.

If that was the initial intention, as the producers of AAA claim it to be, it certainly wasn't given justice by the end result - in spite of the fact that that premise and intention was probably there in the offing.

This is less evident in the actual producer's cut or even the director's cut of the film but a lot more evident from the outtakes of several of the sex scenes included on the DVD: they are long, varied, passionate, well rehearsed and acted and emotionally engaging; while the camera work is such that makes them appear both sensual and realistic.

They're shot in a way as to provide a clue to the fact that most of the sex in the film is unsimulated; but with a more cryptic, more erotic vision, contradictory to the average porn sensibility.

It's not surprising that this film is described as a collaboration of a major mainstream pornographic production company and Lars Von Trier's Zentropa.

But this dichotomy ultimately leans towards the side of the porn producers as they seem to win over the intentions of the director and probably some of the actors themselves who probably had a more concrete idea of what they wanted to achieve or rather what they wanted to avoid.

As a consequence, although there is the actual "philosophy" of supporting the making of such a film - the existence of a "manifesto" in the like of Dogme95 that states the preferable and the avoidable - it all seems to escalate and ultimately fly in the face of that it was purported to be.

Crudely put, there are facial ejaculation scenes; there is "cheap" music that is supposed to "complement" the sex - but in fact it is totally out of place.

There is also a sorry excuse of a script and what is supposed to be a storyline but it is all done so poorly that can hardly conceal the fact that there isn't one.

And most importantly: there is bad acting - which is quite surprising given the fact that some of the actors are allegedly unfamiliar with the territory and are earning their living from participating in more socially acceptable genres of film-making.

However, judging by the actual acting in the film - give and take the sex scenes - either the levels of acting in Denmark are really low at the moment or these particular actors are hardly adequate in their chosen field.

All the more so when particular emphasis is given towards presenting a story: the bad acting and lack of a meaningful plot to back things up create an even bigger problematic.

Then there's the attempt to dress it all up with the addition of a supporting cast that comes straight from hardcore pornography; acting in more explicit and conventional scenes and overall giving a very uneven feel to the whole endeavour.

Why add more characters and more scenes and "embroider" the film with what was supposed to be trying to avoid in the first place? Let alone make things even more complicated and disjointed when the leading characters themselves are so underdeveloped?

It's therefore obvious that the initial intention was not shared by all of the people involved and consequently not sustained throughout the project - which is a shame and perhaps a wasted opportunity?

The end product ultimately reflects those dichotomies: It's half-baked to such an extent that would equally disappoint both the fans of porn - because of the lack of enough explicit scenes they are accustomed to watching - but also those viewers who, deluded by the producers' promises, were prepared for watching something entirely different.

It is different but not different enough to dissociate it from mainstream porn in terms of overall sensibility or production values.

Finally some suggestions in case somebody else attempts something similar: give the director more artistic freedom to shoot what they like and present the film the way they like.

Give them more time to work on it and have a more concrete picture as to what they aim to achieve. Lose the voice-over, especially when the script is so poor; get a decent scriptwriter to write a meaningful story, not an excuse for bad acting.

Or perhaps simply give Lars Von Trier himself the camera and step aside Let's get one thing straight, normal people have sex for real and capture it on video.

They made a decent flick out of it. But it could have been so much more groundbreaking. In the end, Nine Songs went further when it comes to fully explicit content.

The problems with this film were as follows. The director tried to avoid full hardcore shots even though the producers wanted hardcore. Her version of the movie is disjointed and odd.

If you are disappointed with what was recorded, blame her. Plus, she seems to have hired her friends to work the camera and sound, because both were seriously unprofessional.

Plus, at one point on the extra disc you spot a production camera they were using, something no better looking than a TRV I know you may be low budget, but please get someone to pony up the cash for a GL2 or something.

Basically this film seems like it was sabotaged by the director. I've seen amateur pornography with higher production values. Maybe in the future there will be another more substantial attempt at this kind of movie.

I saw a bit of this last year and all i can say is this. I hope they can afford a tripod next time The miserable acting is barely saved by the hard porn This is not a film IT IS porn There is no lighting.

I am one for the old films and i do not think a movie needs all the bells and whistles like CG and effects but this has nothing and i mean the porn is so unnecessary and it is meaningless like in that stage version of cabaret.

This film is like the mind of a teenager with no imagination. The inexperience is so clear though with practice a couple of the cast could get good but this Well i don't real know what it is The makers of this film clearly wrote this - if not it must be someone deprived of all his senses.

First of all: to even attempt to put this movie in the same league as movies by Von Trier or Thomas Vinterberg is so misguided I do not know whether to laugh or cry.

This is nothing more than a porn movie a bad one at that trying to create some aura of intellectualism about it - and much like Catherine Breillats Anatomy of Hell it fails miserably.

There are hardcore scenes in this film, and it is even sold as porn in Denmark. Two of the actresses have made more than a few porn flicks Lars Von Triers Idiots had hardcore porn in it too, for at split second - but that does not mean that there is any viable excuse to put it in - there is nothing in the way of motivation or storytelling that suggests that hardcore scenes could have a defining impact on a movie - it's put there as shock value only, which in this day and age is just daft.

There is not a single capable actor in this film, Gry Bay is best known in Denmark for being willing to do most anything in front of a camera this film more than proves that.

The camera movement is as uninspired as the script, there seems to be no greater design to the angles chosen, and the editing seems rather random, and does not lend this movie anything in the way of flow.

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